Although born in Mexico City in 1978, took him to live in Sydney when I was ten and since then has become one century but few sometimes fleeting. With a important exception: a little over three years, at the end of a long stay in Europe, Mexico went through I think that with the vague but irresistible desire to stay. It did not take long to realize that this country, with its inherent chaos, their bitterness and bad bugs, it was not for him, someone, after all, raised on the values \u200b\u200bof a culture less rough-and what he did again suitcase and went back to Australia.
Here was anything but waste time, experienced the atmosphere of the city, traveled, took pictures. Among other work done the editing of the documentary Flowers in the Desert, of his cousin Jose Alvarez ( http://bit.ly/wvmP3 ), and advised the Alamar editing, the film of Pedro Gonzalez Rubio two years ago won the Morelia Festival ( http://bit.ly/f9kjeg ). Crisp to force balance and good taste, the style of José Luis Fernández Tolhurst can be seen especially in the first of two movies, a work that shows with beautiful pictures in the family and some of the major rites Huichol.
In the spring of 2009, in the days contingency (caused by influenza) we spent in the house of our cousin Amatlán filmmaker, Morelos, with provisions for two weeks-a situation that a friend who did the story of the circumstances seemed removed from the Decameron - I lived closely with José Luis and Louise, his namesake girl, Australian like him, which was known to Croatia while traveling in Europe and is a partner since then. In the last decade also had the honor of sharing with him the friendship of Xavier Pascual Aguilar, whose wedding in Aranjuez, which sadly could not attend, served as best man at my place.
few weeks ago I published a beautiful portrait of José Luis did to our common grandfather, in which we see Santos Fernández Well in the last years of his life, looking out west from the eighth floor of the Polanco ( http://bit.ly/hgnYc0 ). On another occasion, he portrayed his father, Pepe Luis, with the latter's uncle, Florentino (our uncle) in the kitchen of the house of Felix Niembro Simon, doors Cabrales, a summer afternoon in 2006.
image accounts for the continuity of a way of being with identical angles despite of physical distance and time, a migration chain connecting the Asturian mountains with America and Oceania.
Jose Luis is on the network several spaces with their work, displayed by discipline. Perhaps the one I like is the photo. I asked him permission to take some pictures to share with readers in the breeze century.
Aranjuez, 2006
Salamanca, 2008
Canberra, 2007
Split, Croatia, 2007
London, 2008
Madrid, 2006
London, 2008
Istanbul, 2007
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The beautiful picture that opens this post was taken in Cambridge in 2007.
The image of the movie Flowers in the Desert I took of the page Stingray Productions.
The image of the movie Flowers in the Desert I took of the page Stingray Productions.
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